Tag Archives: film

Kate Sutherland

Weekend Roundup of News & Reviews, February 7-13, 2011

Below are links to some of the news stories and book reviews related to law and the arts that caught my attention this week.

Plans to release a trove of unpublished writings by Malcolm X, including journals he kept during 1964 trips to Africa and the Middle East, have been thwarted by a longstanding feud over the estate of his widow, Betty Shabazz, between their six daughters. (NYT)

A recent English translation of “a Russian reworking of JRR Tolkien’s The Lord of the Rings” is proving popular with fans, but Tolkien’s estate is not pleased, deeming it copyright infringement. Publisher David Brawn elaborates: “Online there are lots of infringements which it is extremely difficult to do anything about,” he said. “When you get something as popular as Tolkien, fans want to create new stories. Most are pretty amateurish. Tolkien himself isn’t around so it’s the estate’s view that it’s best to say no to everything. If you let one in, you’d open the floodgates.” (Guardian)

Emma Thompson is seeking a declaration from a New York federal court that her latest film script does not infringe the copyright of a play by Gregory Murphy. Both film and play focus on “a love triangle featuring the 19th century poet and critic John Ruskin.” (Guardian)

Lawyers for Amanda Knox are suing to prevent the airing of a television movie about the murder for which she has been convicted in Italy, arguing that it “could prejudice perception of the case just as the appeal process gets underway.” The victim’s family also wishes to stop the film, fearing that it will make their struggle to put the tragedy behind them more difficult. (Hollywood Reporter, Media Law Prof Blog)

New Orleans “Mardi Gras Indians work to copyright costumes” in a bid “to get a slice of the profits when photos of the towering outfits they have spent the year crafting end up in books and on posters and T-shirts.” (NPR, Clancco)

“A bill introduced [this week] in the Iowa House calls on the University of Iowa to sell its famous Jackson Pollock Mural painting, valued at $140 million, to set up a trust fund for student scholarships.” (Cedar Rapids Gazette, The Art Law Blog)

In a profile of Barry Gifford, best known as the founder of Black Lizard Press and an author of noir thrillers, Allen Barra stresses the originality and versatility of his recent work. (Salon)

Carlo Wolff makes Keigo Higashino’s The Devotion of Suspect X sound irresistible to this aficionado of international crime fiction. He lists “murder, philosophy, forensics, and a culture of repression” among its ingredients, and pronounces it a compelling noir novel “that ratchets up tension to the end, providing excitement and insight into the psychology of modern Japan along the way.” (Boston Globe)

Jennet Conant describes Douglas Waller’s Wild Bill Donovan: The Spymaster Who Created the OSS & Modern American Espionage as “an entertaining history” and notes: “Waller is more concerned with the politics of personality, and the legacy of Donovan’s complex, larger-than-life character. As he amply shows, Donovan was a combination of bold innovator and imprudent rule bender, which made him not only a remarkable wartime leader but also an extraordinary figure in American history.” (NYT)

Fancy tracking the Socratic method back to its source? Steve Donoghue trumpets Bettany Hughes’ The Hemlock Cup: Socrates, Athens, and the Search for the Good Life as “a beguiling book” and “history, and historical reconstruction, exactly as it should be written.” He concludes: “The Socrates Hughes creates is ultimately a towering yet intensely human figure. He lives and speaks again in these pages: It’s a singular accomplishment.” (Washington Post)

* The image above is a reproduction of Jackson Pollock’s Mural (1943, oil on canvas, 8′ 1 1/4″ x 19′ 10″), owned by the University of Iowa Museum of Art.

Kate Sutherland

Weekend Roundup of News & Reviews, January 31-February 6, 2011

Below is a roundup of links to some of the news stories and book reviews related to law and the arts that caught my attention this week.

Penguin is reported to be delaying publication of an English translation of Zhang Ling’s award-winning Chinese novel Gold Mountain Blues “until it is satisfied that the author hasn’t been poaching from the works of Canada’s Chinese Canadian literary elite.” Chinese bloggers have alleged plagiarism of the work of such authors as Denise Chong, Wayson Choy, and Sky Lee; Zhang categorically denies the allegations. (Toronto Star)

A class-action suit for consumer fraud has been filed against Jimmy Carter and his publisher Simon & Schuster claiming that his book, Palestine: Peace Not Apartheid, “was falsely marketed as an accurate account of peace negotiations in the Middle East.” The fraud case arising from James Frey’s mostly fabricated memoir, A Million Little Pieces, is cited as a precedent. Simon & Schuster reject any parallel, pronouncing the suit to be “frivolous, without merit,” and “a chilling attack on free speech.” (NYT, The Faculty Lounge)

H.B. Fenn, Canada’s largest book distributor, has filed for bankruptcy protection in “the latest example of what has become ceaseless turmoil in Canada’s most vulnerable cultural industry.” Critics decry government inaction. Kim McArthur, of McArthur & Company Publishing, asks: “Why are they screaming about some Australians wanting to buy a potash company when there’s not a peep about the thing they’re meant to be protecting – Canadian publishers and Canadian authors?” (Globe & Mail)

A study commissioned by NBC Universal finds that music piracy is on the decline. Matt Rosoff draws the conclusion that, not only are people not buying, they “don’t care about music enough” to steal it either. (SFGate)

Artist Jeff Koons has “backed down in an intellectual property dispute over balloon dog-shaped bookends” manufactured by Toronto company Imm-Living and sold by San Francisco gallery Park Life. (NYT)

A U.S. District Court Judge has dismissed “a lawsuit accusing Christie’s auction house of failing to recognize a valuable drawing by Leonardo da Vinci and selling it for a fraction of its true worth.” (Reuters, Clancco)

Producers of The Hurt Locker seek to have a war veteran’s defamation suit against the film dismissed under California’s anti-SLAPP statute as an attempt to stifle free speech. (Reuters)

Kirk Makin reports on “the latest in a series of court rulings” in a family battle over the estate of millionaire John Kaptyn, “written last week by an irate judge who compared the Kaptyns to Charles Dickens’s feuding Jarndyce clan, from the novel Bleak House.” (Globe & Mail)

One of fifteen unpublished Dashiell Hammett stories, only recently unearthed by editor Andrew Gulli in a Texas archive, is to be published in The Strand this month. Apparently not all of the stories are in Hammett’s classic hard-boiled style though, which makes the find all the more exciting to some. “We have discovered that he was a far more versatile writer than he ever gets credit for,” Gulli said. (The Guardian)

A joint investigative report titled Post Mortem: Death Investigation in America highlights the gulf between the reality of forensic investigation, and representations of it in detective novels and on television crime dramas. (NPR, Law & Humanities Blog)

Susannah Meadows has effusive praise for The Death Instinct, Yale law professor Jed Rubenfeld’s “tremendous follow-up to his 2006 novel, The Interpretation of Murder.” (NYT)

David Orr’s perusal of Poetry of the Law: From Chaucer to the Present, a new anthology edited by David Kader and Michael Stanford, prompts a broad-ranging and thought-provoking consideration of law, literature, and interdisciplinarity. (Poetry Magazine)

Nancy F. Koehn pronounces Ben Tarnoff’s Moneymakers: The Wicked Lives and Surprising Adventures of Three Notorious Counterfeiters a “rollicking good read” that “shows how three con men were able to thrive in America’s early days because of a weak central government, an often-chaotic banking system, a turbulent economy and an entrepreneurial populace.” (NYT)

Roger Hutchinson finds John Macleod’s None Dare Oppose: The Laird, the Beast and the People of Lewis to be “an absorbing account of malice and mischief in the 19th-century Hebrides.” (Scotsman)

Emily Temple displays and discusses “a series of cohesive covers for Schocken’s (part of Pantheon) backlist of Kafka books” designed by Peter Mendelsund which “will begin appearing on paperbacks early this summer.” I’ve posted a few of my favourites above. (Flavorwire)

Kate Sutherland

Welcome

Welcome to law.arts.culture, a blog devoted to exploration of the intersection of law and the arts. I’m blogging solo for the moment which is apt to tilt the blog in a literary direction given that much of my research and teaching is in the field of law and literature, and that I’m a fiction writer besides. But I’m in the process of recruiting a team of bloggers—Osgoode colleagues, students, and alumni—whose diversity of interests and expertise will soon broaden the focus to include music, film, theatre, visual art, and more. Please visit often, and join in the conversation!